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Save your money; buy the comic book!

This book is missing a vital element.

Parkway Byways

IT'S A PAMPHLET, NOT A BOOK !!

At least the illustrations are good

Cute Freshman Outing in the World of Children's Literatureindividual merit, Katherine Tilllotson's images and cover are pleasant and incorporate a popular artistic style. (I feel like I've seen them passing souvenir shops, traveling down the southeastern coast - places like South Carolina, Florida and the Keys.) But I'm not sure how much they serve Barbara Kerley's 'songs' and ultimate story. They are far too simple in comparison to the narration. Admittedly designed for a younger audience, 'Where the Wild Things Are' is a masterful example of children's literature in which imagery heightens a story's words and lyricism and creates a vivid world. Twenty years later I can still conjure images of Maurice Sendak's intimidating, yet
approachable, wild-eyed monsters.
At the end of the day, Kerley's 'songs' don't resonate with me either and they lack the lyrical quality that the inside cover claims they have. Literarily her concept is clear. Emotively though it just doesn't connect. Songs by nature carry themes and Kerley's theme does not resonate. Her repetition - "Before you were born you lived on an island . . ." - seems dry and pallid. It lacks the kind of vibrancy that comes through good music or
poetry. On this note, there is also something strange, or let's say contradictory, about the work. When Kerley set out to write it, my impression is that she aimed to tell a story that nostalgically depicts a tropically idyllic place that teams with natural life. And for the most part, it's fair to say she accomplished this. But, in her stories to her daughter she
mentions things like a 'respirator,' 'throwing up,' 'fancy hotels,' and 'tourists'. Things of this nature seem to break with or detract from the intended tone and reality of the piece.


All the Georgia exit numbers are wrong!I used this book several weeks ago and got into trouble because every I-75 exit number in the book is incorrect. This is the case on all the Georgia maps and coupons. Georgia changed its exit numbers last February (it announced this change 3 years ago) and removed all the old numbers. This book shows only the old numbers and was therefore no good to us.
I paid good money for this book and didn't expect out of date information.
Ok. This book needs definite work, But...So what is there about this book that is redeeming. What does Christine Marks have that you can't find in a USA Guide, or State Guide? I was impressed by information on various locations, communities and counties. Christine Marks did a lot of digging to come up with some very interesting and provocative vignettes. County information, cultural insights, historic blurbs that were NOT in my other state travel guides. I am a Bar-B-Que afficionado and I did not know that in October, in Vienna, GA, there is The Georgia Barbecue Championship! Or that Fried Green Tomatoes are found at the Whistle Stop Café in Juliette, Ga. I like these tidbits of information and this, and this alone, makes the book valuable to keep. I also like the concept of the guide following a route, providing information with maps that break the journey down in bite size portions. These two aspects, especially the unique information, makes me keep this book. It is my hope that Christine Marks pushes this forward, gets the right exit numbers, larger readable fonts, better paper and printing, and dumps the blatant trashy advertising. With the number of cars that roam up and down this huge stretch of highway there is a market for good guides. Conditionally recommended.
give it a chancesigned, Frustrated in Windsor


Fee Dig sites and Museums
Gem and Mineral Guide ( Northeast)
Not a good value.

Hopeless entrant in fine seriesThe BFI editors should be embarassed for having released it.
A surprising ... in the classy BFI Film Classics series
Possibly the Worst Entry in an Excellent SeriesThis book isn't so much a commentary as it is a rant. Rob White, the series editor, seems to have let this slip into print with no concern for it's complete lack of content and deleriously circuitous writing "style". It's a shame because, as usual, the book is generously illustrated with stunning B&W stills from the film.
I have over two dozen commentaries from the BFI Modern Classics Series, each filed along side the DVD or VHS of the film itself. This book has no place in anyone's library. The definitive analysis of this classic has yet to be written, and but Marcus and BFI have misfired with this one.


A complete waste of money
don't buy this book - title misleading, poor information
The title misrepresents the contents as no Baja information